Локальные традиции материальной культуры Корана в мусульманских центрах Западной и Северной Африки
Диссертация
На основании анализа досок и рукописей, проведенного в ходе данной научной работы, в дальнейшем планируется продолжить сравнительное изучение досок Нигерии (Борну, Кано) и Буркина Фасо, Мали и Мавритании с досками из Марокко и Алжира, то есть традиций двух условно разделенных областей Африки — Магриба и Западного Судана Цель следующего этапа работы — составить максимально полную классификацию… Читать ещё >
Содержание
- Глава I. Обзор литературы и методология
- 1. 1. Обзор и анализ литературных исгочт гиков
- 1. 2. Методология исследования
- 1. 2. 1. Описание технических методик
- 1. 2. 2. Образ Храма. Карнавал. Хронотоп
- 1. 2. 3. Диалектальный принцип развития мусульманского искусства
- 2. 1. Объект и предмет диссергации
- 2. 1. 1. Материальная культура Корана в контексте регионального ислама
- 2. 1. 2. Материальная кул ы ура Корана в Западной Африке
- 2. 1. 3. Ритуал,'[технология и материалы
- 2. 2. История региона
- 2. 3. Классификация магрибинских стилей
- 3. 1. Анализ коранических рукописей
- 3. 1. 1. Кораны рукописного собрания ИВР РАН (СПб) — С1688, С1689, С
- 3. 1. 2. Кораны Библиотеки Честер Биги — Is 1599, Isl601, Isl598, Isl 597. Ill
- 3. 1. 3. Кораны из собрания Нассера Д. Ханшiи — Qur.706, Qur.110, Qui". 109, Qur. 104, Qui-. 149, Qur.434, Qui". 175, Qur
- 3. 1. 4. Африканские рукописные Кораны Британской библиотеки -Ог.6992, Ог.6583, Ог.7257, Ог
- 3. 1. 5. Магрибинская рукопись Библиотеки Честер Бита
- 3. 1. 6. Некораническая рукопись Метрополитен музея
- 3. 2. Анализ коранических досок
- 3. 2. 1. Описание коллекций
- 3. 2. 2. 1. Коранические доски, представленные в каталоге Сэм Фогг
- 3. 2. 2. 2. Кораническая доска коллекции Н.Д. Халили
- 3. 2. 2. 3. Анализ коранических досок музея Бранли
- 3. 2. 2. 4. Сводная классификация основных типов коранических досок Западной и Северной Африки
- 3. 2. 1. Описание коллекций
- 4. 1. Проблема локализации и генеалогия орнаментов коранической доски из Бруклинского музея
- 4. 2. Почерк и текст
- 4. 3. Иконография орнаментов и изображений
- 4. 4. К проблеме прочтения орнаментов и симюлических фигуративных изображений. Кораническая доска в церемонии инициации
- 5. 1. 1. История развит ия мусульманского орнамента
- 5. 1. 2. Происхождение иллюминирования Коранов. Идентификация мотивов
- 5. 1. 3. Диалектальный принцип развития и проблема заимствований
- 5. 2. Классификация орнаментальных мотивов
- 5. 2. 1. Параметры системы орнаментирования
- 5. 2. 2. Архитектурный или храмовый ряд
- 5. 2. 3. Другие мотивные ряды
- 5. 2. 4. Орнаментальные элементы рукописи
- 5. 2. 5. Орнаментальные могивы
- 5. 2. 6. Космограммы
- 5. 2. 7. Антропоморфизм
- 5. 2. 8. Орнаменты западноафриканской традиции
- 5. 3. Восточная школа иллюминирования рукописей
- 5. 3. 1. Унваны ранних коранических рукописей
- 5. 3. 2. 0. рнаменты еврейских иллюминированных рукописей
- 5. 3. 3. Архитектоника
- 5. 4. Илл юми н ированн ь ie Коран ы VLI1-X веков
- 5. 4. 1. Канон и симметрия. Коран Е-20 (ИВРРАН)
- 5. 4. 2. Реду1цтро ванный образ Храма. Коран Марсель-13 (РНБ)
- 5. 4. 3. «Сирийский Коран» — № 20−33.1 (Дом рукописей)
- 5. 5. Сравнительный анализ орнаментов африканских Коранов и коранических досок
- 5. 5. 1. Характеристики
- 5. 5. 2. Ритуальные функции и значения коранической доски
- 5. 5. 3. Темпоральностъ или хронотоп коранической доски
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