Гибридная идентичность как литературная проблема: На материале китайско-американской женской прозы XX века
![Диссертация: Гибридная идентичность как литературная проблема: На материале китайско-американской женской прозы XX века](https://westud.ru/work/2530106/cover.png)
Диссертация
В нашей стране проблема национальной идентичности активно изучается на базе Воронежского государственного университета С конца 1990;х в Воронеже ежегодно проводятся конференции или школы-семинары, посвященные этой тематике: «Проблема национальной идентичности в культуре и образовании России и Запада» (2000), «Проблемы национальной идентичности и межкультурной коммуникации» (2001… Читать ещё >
Содержание
- Глава 1. Репрезентация темы китайской иммиграции в литературе американского мейнстрима конца XIX — начала XX веков
- Глава 2. Зарождение китайско-американской литературы и становление проблемы гибридной идентичности. Рассказы Эдит Итон
- Глава 3. Проблемно-тематический аспект отражения гибридного сознания в китайско-американской женской прозе второй половины XX века
- 3. 1. Внешние приметы поиска: соединение элементов бытовой культуры Китая и Америки
- 3. 2. Стремление к «внутреннему синтезу» как способ преодоления фрагментарности сознания
- 3. 3. Сфера бытования пограничного «я»: пространственные метафоры как отражение китайско-американского культурного опыта
- Глава 4. Особенности воплощения пограничного сознания в художественной структуре китайско-американской женской прозы
- 4. 1. Принцип инь-ян как основа гибридной ментальности сино-американца
- 4. 2. Жанровый синтез как способ моделирования гибридности: традиции американской автобиографии и китайского устного сказа в китайско-американской прозе
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- Kingston: I just mean it takes such a long time, because it has taken twelveyears.1.terviewer: Can you say when it is going to be published?
- Kingston: It is at the Alfred A. Knopf now and they will be publishing itnext fall. It is finished and it is gone.1.terviewer: As for the genre of your new book To Be the Poet, how would you define it? Do you at all define the genre of your books?
- Kingston: I usually do not, it is the publishers and the critics define the genre.1.terviewer: Do you agree with their definitions?
- Kingston: Somebody said that? How strange! I never thought of that!1.terviewer: And Amy Ling said that Amy Tan’s The Joy Luck Club is in part a continuation and expansion of The Woman Warrior. Would you agree with * that?
- In TripmsaterMonkey Wittman Ah Sin is 23, just graduated from Berkeley, like Maxine Hong Kingston herself.
- Maxine Hong Kingston had been working on The Fifth Book of Peace for about two years, when the Oakland-Berkley hills fire burned her house and her book. She had to start it all over again.